City 01 Skate Days, 2018. Muchamiel Skatepark. Muchamiel. Alicante. Spain. Move your feet, skate

 

Without sanctioned places to practice, skateboarders had been occupying parking lots, empty swimming pools, drainage ditches, plazas, sidewalks, streets, schoolyards, building foundations, and just about any other paved space they could get their wheels on. Municipalities have tended to perceive this occupation as an impediment to traffic flows and as a potential danger to pedestrians and to the skateboarders themselves, which translates into a liability threat for cities. Furthermore, skateboarders’ use of street furniture and hand rails consistently causes minor property damage, which has spawned a secondary industry in the manufacture of architectural deterrents to skateboarding and the dissemination of anti-skate design expertise.

Restrictive legislation is on the books in municipalities across the United States, but considering participation levels and property damage, the need for skate facilities has become apparent to «urban managers».

With significant input from the skateboard industry, and from local skateboarders themselves, cities have hired skatepark design firms to provide facilities containing a jumble of design elements simulating the urban spaces that skateboarders have inhabited, often illegally. The parks average about 10,000 square feet , approximately the same size as an athletic field. Skateparks often stand alone, but like the athletic field, the sandbox, and the swing set, the skatepark has also become one of many elements that are often sited adjacent to one another on large playgrounds.

The skatepark revolution is a response to demand, but urban managers’ motivations for providing these parks are more complex. Through a review of their professional literature, I show that urban managers in the United States focus less on skateparks as a means of satisfying community demand and more on specific behaviors of skateboarders, such as securing majority funding for the construction of parks, refraining from bringing liability cases for injuries, and informally policing surrounding neighborhoods. The literature also notes that the parks themselves serve as zones of economic activity, where stunts are documented and distributed (in magazines and videos) by the multibillion-dollar skateboard industry. This focus in the professional literature demonstrates that urban managers view skateparks as a means by which to reward and encourage specific character traits in young people, principally personal responsibility, self-sufficiency, and entrepreneurialism.

Quote. Ocean Howell. «Skatepark as neoliberal playground: urban governance, recreation space and the cultivation of personal responsibility», Space and Culture, 2008.


City 00Skate days (CSKD) is a project of great scope on the world of skateboarding, raised from a vision that tries to go beyond its sporting side. I focus attention on aspects that reflect a subcultural model, very diverse moments and contexts, attitudes and signs that tell us about that experience: fashion, graffiti, gestures, local environments, lifestyles, group interaction, youth and contemporary identities. But it also opens up to other perspectives: the visibility and roles of women in the world of skateboarding, the relationship between skate and social integration based on community actions, the practice of skate in developing countries, the reinterpretation of urban culture from the expressiveness of very different local identities.


City 00Skate days (CSKD) es un proyecto fotográfico sobre el mundo del skate, planteado desde una visión que intenta ir más allá de su vertiente deportiva. Centro la atención en aspectos que reflejan un modelo subcultural, momentos y contextos muy diversos, actitudes y signos que nos hablan de esa vivencia: moda, graffiti, gestos, entornos locales, estilos de vida, interacción grupal, identidades juveniles. Pero también se abre a otras perspectivas: la visibilidad y roles de la mujer en el mundo del skate, la relación entre el skate y la integración social a partir de acciones comunitarias, la práctica del skate en países en vías de desarrollo, la reinterpretación de la cultura urbana desde la expresividad de muy diversas identidades locales.